2868 x 1512 (almost 3K) at 120 fps is a great feature.For zero color correction, Prores LT will be the best and fastest workflow for straight to web content.4K DCI and UHD is available in Blackmagic RAW and Prores.6K file sizes are going to be huge, unless you use a lower compression ratio.*Data rates for 30 fps, lower frame rates will have lower rates. Here’s the complete table: Blackmagic RAW Resolution Get a free trial of the best music for your videos at Musicbed.Exclusive Bonus: Download 4 cinematic LUTs for the Blackmagic Pocket Cinema Camera 6K and 4K, for free. Panasonic 12-35mm f/2.8 OIS lens - B&H, Pictureline, Amazon Panasonic GH5S camera - B&H, Pictureline, Amazon Blackmagic Pocket Cinema Camera 4K used for most of the B-roll - B&H, Pictureline Sigma 24-70 f/2.8 DG OS HSM ART Lens - B&H, Pictureline, Amazon Blackmagic Pocket Cinema Camera 6K - B&H, Pictureline ZOOM F6 Audio Recorder - B&H, Sweetwater, Amazon MOVO -35dB Attenuator Cable - B&H, Amazon As an affiliate, I earn from qualifying purchases: The links below are, B&H Photo, Sweetwater, Pictureline, Musicbed or other affiliate links. If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. To fix this, you can use an attenuator cable to reduce the audio level which solves the issue. But when you do this, a substantial hiss is introduced to the audio. Specifically, when sending audio from the ZOOM F6 to a hybrid camera with a 3.5mm input, you have to reduce the output level on the F6. In today’s episode, we demonstrate an issue with the ZOOM F6 and how to work around the issue.
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